All Things Murder (May, 2014)
Emmy-winning actress Veronica Walsh is accustomed to role-playing. Over her thirty-two year career on the soap opera Days and Nights, her character has been a businesswoman, wife (multiple times), mother, prison inmate, and fugitive. None of that prepared Veronica for the role of a real-life sleuth.
When Veronica cannot land a new part after the soap’s cancellation, she returns to her Adirondack hometown for what she hopes is a temporary visit. No sooner does she arrive than Veronica finds herself in a swirl of turmoil, with her neighbor at the center. In the span of a few hours, powerful businesswoman Anna Langdon extends an invitation to Veronica to discuss a business proposal, ends a short romance with Veronica’s high school beau, threatens to evict one of her retail tenants, and thwarts a deal to build a mall on local farmland. Veronica receives an unexpected welcome-home present when she finds Anna’s body the next morning, with the cast-iron skillet used to kill her lying at her feet. Soon she is chasing leads with the help of friend Mark Burke and her former co-star Alex Shelby.
Twists straight from a soap script, including two leading men vying for her attention, entangle Veronica as she gathers clues. Will Veronica solve the case, or will the killer be as elusive as an acting job? And will she play the heroine or the damsel in distress?
Murder, by George (May,2016)
Retired soap actress Veronica Walsh leads a fulfilling second act in her Adirondack hometown of Barton. Her boutique, All Things, is thriving and she enjoys a romance with Professor Mark Burke. She has neither the time nor the desire to be an amateur sleuth.
Trouble finds her when architect Scott Culverson buys a vintage box at the village’s annual flea market and discovers a valuable painting and love letter inside a locked drawer. The awe over the masterpiece, a 1920’s portrait of Barton’s main street, turns to rage when a fierce argument ensues. The box’s seller insists the painting was not included in the sale, while Ella and Madeline Griffin, whose mother received the painting as a wedding present, demand that Scott return the painting to their family. The artist’s daughter, the formidable Leona Bradshaw Kendall, later joins the battle over Orchard Street.
When Scott is stabbed to death and the painting and letter stolen, the Griffin sisters ask Veronica to help clear suspicion from their hot-tempered great-niece, Regina. Despite a vow to stay out of the investigation, Veronica’s loyalty to her friends draws her into the case.
Veronica crosses paths with a shady contractor, brassy hairdresser, overwrought lawyer, and adoring Czech housekeeper as she searches for both killer and work of art. Whom can Veronica trust, and who will lead her to the brink of death?